Where Babies Come From #4

As usual, spoilers ahead. Also, since starting this little series of posts, sales have gone up significantly. Thanks, guys, I appreciate that a lot. 

Capacity for Atrocity represents me going to my roots as a writer: writing fast-paced, intense action scenes and trying my best to portray something cool. As I said in #1 of this series, I really like mecha and this story follows a random group of mecha pilots in Donetsk. Why Donetsk? I wanted another exotic location and I was out of ideas. I went to watch some football and I was met with a Europa League match between Manchester United and Zorya Luhansk. The commentator starting speaking about one of my favourite players, Henrikh Mkhitaryan, and how he used to play for Shakhtar Donetsk. I wanted a snowy place in any case, so a large city in Ukraine worked nicely.

This story was much less of a test for my descriptive skills than many of the others, being more of an action story than the others. I wanted to make the reader feel the sort of unfamiliar intensity and power the characters would see from pre-Event weaponry. In the context of the narrative, these mech suits are almost legendary machines and are certainly much more powerful than anything else at the military’s disposal. I aimed for a melancholy feeling of a lost era as the mecha fight but with the sort of energy and intensity that justifies even hardened professionals cracking under pressure.

The desolate ruins of Donetsk are little more than a microcosm of the global situation. As a Blank Zone, it’s an abandoned area that civilians are pretty banned from entering. I allude to Blank Zones having mutagenic monsters, rogue Lordframes and dormant weapons like virus bombs and untriggered nuclear devices. I intend to set more stories in the Blank Zones, so giving the reader a taste here won’t hurt.

In the end, I wanted Capacity for Atrocity to be cool and intense, showing off both my standpoint on warfare and my technical abilities.

Thanks for reading and enjoy your day.

Where Babies Come From #1

I like to share things with the world. If I didn’t, I wouldn’t have attempted writing books and publishing them. I really do enjoy pouring my emotions onto the page/keyboard and hopefully eliciting the same sort of feelings in my readers. What does spawning literary ideas and writing fiction have to do with babies? Creative juices, my friend!

Anyway, I thought I’d start sharing the inspirations for the various things I write. I released Blackout last month, so I’ve got license to harp on about it for a little bit longer. I’m going to start with the two shortest pieces in Blackout, to ease myself into this. Fair warning, there may be spoilers ahead.

The Event
The Event is as general as general gets. It sets up the world in the mind of the reader, making a general picture before the other short stories make up wrinkles in the tapestry. The post-apocalyptic setting is one that I rather enjoy when it’s done well and done with some sort of variation. The generic ‘cataclysm that turns humanity into scavengers and vagrants’ has been done to death, so I thought I’d do something different and jump forward fifty years to see some semblance of bouncing back. Having learned about market economies in EMS in Grade 9, I found the concept interesting and decided to implement a form of it in my series.

I think PMCs are a pretty cool concept narratively. Having the protagonist tied to actual professional killers masquerading as a national military, itself mocked as a bunch of paid murderers, makes for some fun moral exploration, especially when applied to an entire society invested in the idea of war being necessary for their daily bread.

Titans of Another Time
I’m a huge nerd about certain science fiction concepts. Humanoid war machines are one such concept. Having watched such things as Gundam, Gurren Lagann, Code Geass and more recently mainstream blockbusters that feature mecha, I find the things pretty cool and decided to put my own spin on things. Because copyrights and trademarks are things that exist, I ended up having to make my own name for my humanoid tanks. I’m not the best with names but Lordframe sounded cool, so I stuck with that.

I really enjoy drawing mecha as well, so I’ve a wide variety of things to describe and fiddle with. Maybe I’ll upload those some day when I feel more confident about them. There’s a sense of grandeur and scale with humanoid war machines that I think is awesome and I couldn’t really do anything but include them in my stories.

Thank you for reading and have a nice day.

Ira Draconis: Blackout

I’ve got a bad habit of making promises for cool things and then never following up, but this time I’ve come good. I’ve got 4 and a half short stories for my upcoming anthology Ira Draconis: Blackout, ready for peer review. The anthology itself will detail the world of Ira Draconis and, hopefully, create some sort of audience for Wyvern Diary next year.

The short stories range from 1500-3000 words as of the current state of writing, though some of the later ones may be a touch longer. If you would like to help me by reading and giving feedback on these, I’d be really grateful. Send an email to s.k.wonza@gmail.com if you’re interested in reading some work-in-progress short stories.

Thanks for reading and enjoy your day.